Friday, 30 December 2016

Tweedland offers below different perspectives to this “never ending story “

Edward VIII - The Plot to Topple a King

The Duke Of Windsor: The Nation's Tribute - 1972 / In defence of Wallis Simpson Philip Ziegler reviews The People's King by Susan Williams

In defence of Wallis Simpson
Philip Ziegler reviews The People's King by Susan Williams
12:01AM BST 18 Aug 2003

Susan Williams's somewhat venturesome subtitle suggests that she has discovered some hitherto undiscovered truth about the abdication.
Whatever this may be, it is certainly not based on new facts. There is no material in her book that was not already available - to this biographer at least - except for the Special Branch reports. These are of interest in that they show the police considered it their duty to monitor the activities of the Prince of Wales and his mistress, but otherwise are no more than modestly entertaining. The most pungent charge they contain is that Mrs Simpson, while married to Ernest Simpson and in hectic pursuit of the prince, was simultaneously conducting an affair with a raffish motor-car salesman, Guy Trundle, on whom she lavished expensive gifts and cash.
Williams very reasonably doubts whether Wallis Simpson could have found time to fit Trundle into her life. She might also have pointed out that giving, rather than receiving, expensive presents was not Mrs Simpson's style, but references to the Duchess of Windsor's meanness would not have fitted comfortably into Williams's master vision.
This book is an exercise in rehabilitation. As such it is overdue. The Duke of Windsor has been spectacularly traduced in recent years; the culmination being a programme called Edward: the Traitor King, without even the courtesy of a question mark. Williams reminds one of Edward's extraordinary charm, his ability to talk with people of every kind, his wit, his genuine concern for the underprivileged. But she lays it on a bit thick. To refer to the "democratic leanings" of a man who believed in strong and authoritarian government is wholly to misinterpret Edward's political opinions; the real dismay that lay behind his comment on the horrors of unemployment in South Wales - "Something must be done" - needs to be set against his conspicuous failure to do anything about it when preoccupations about his love life absorbed his energies.
The author's determination to present the Windsors in a favourable light leads to occasional unfairness to other people. Cosmo Gordon Lang is perhaps fair game, but Williams does less than justice to Stanley Baldwin's affection for Edward and anxiety to keep him on the throne. When Mrs Simpson took on the role of hostess at Balmoral, and stepped forward to greet the Yorks, Williams describes her behaviour as being a "gesture of friendship" and reprimands the future Queen Mother for snubbing her sister-in-law-to-be. Others might feel that only a woman of extraordinary insensitivity would not have thought it better to keep discreetly in the background at such a moment.
Williams's most energetically exploited source is the mountain of letters written by members of the public to Edward VIII, as well as letters to Churchill, Baldwin and other dignitaries, contemporary diaries and other manifestations of vox populi. Williams's contention is that Baldwin "misjudged the feelings of the British public"; that there was more support for the King and readiness to accept Mrs Simpson than was acknowledged by the Establishment; and that the working classes and the liberal elements of the bourgeoisie believed that Edward VIII should follow his heart and marry the woman he loved.
There is quite a lot in this; she assembles a dossier to suggest that, if there had been a plebiscite in 1936, the result might not have been as conclusively against the King as ministers assumed. But again she weakens her case by its tendentious presentation. Voices expressing the other point of view are from time to time audible. "Dear Ted. I think you are a bugger. Bill" was one succinct example, but the King's supporters get the lion's share.
It is interesting to speculate whether, if Edward VIII had stuck to his guns, Baldwin had resigned, and Churchill had led the Cavaliers into an election, the King's party might have won the day.
Probably not, but Williams's book suggests that it might have been a close-run thing. Her thesis is not totally convincing, but it is well worth presenting for all that.

Thursday, 29 December 2016

The People's King: The True Story of the Abdication by Susan Williams

The People's King follows the six intense weeks leading up to the abdication of Edward VIII, considered by many to be among the most compelling love stories of the last century. Just six months before their wedding, the only people who had heard of Wallis Simpson were those people who belonged to the tiny social circle surrounding the royal family. Press coverage and newsreels were strictly censored. Through contemporary letters and diaries, many never before published, Susan Williams demonstrates the huge popularity of the King and the events that led to his downfall.

The vilification of Wallis Simpson
King Edward VIII’s abdication on 11 December 1936 was an event that shocked the nation. Susan Williams investigates how Wallis Simpson, the woman for whom Edward gave up the throne, was savaged by society.

This article was first published in the December 2006 issue of BBC History Magazine

In the summer of 1936 Lady Diana Cooper remarked that “Wallis is wearing very very badly. Her commonness and Becky Sharpishness irritate”. As far as the English upper classes were concerned, Wallis Simpson was a cunning social climber, like Becky Sharp in William Thackeray’s novel Vanity Fair. They simply could not understand what King Edward VIII saw in her – a woman considered too lower-class to qualify for any kind of royal attention, as well as being a divorcee and an American.

But Edward adored her. He had met her in 1931, when he was Prince of Wales, and she was married to her second husband, Ernest Simpson. It was not long before they were in love. “My own beloved Wallis”, he wrote in 1935, “I love you more & more & more & more… I haven’t seen you once today & I can’t take it. I love you”.

Edward’s friend Winston Churchill believed that Wallis was good for him. “Although branded with the stigma of a guilty love,” he said, “no companionship could have appeared more natural, more free from impropriety or grossness”. Well-read, with a lively sense of humour, Wallis had a warm and sincere heart. She was devoted to her mother and her aunt and she did not conceal – even in circles where paid work was thought to be vulgar – the fact that her aunt worked for a living. Her servants liked her as well. “All the maids,” said a kitchen maid, “spoke well of Mrs Simpson”.

The Prince of Wales with Churchill in 1919. Churchill thought that Wallis, who Edward first met in 1931, five years before he became king, gave him "more confidence in himself". (Getty Images)

By January 1936, when Edward became king, he had decided to marry Wallis. It was said in court circles that Wallis was scheming to be queen. But this was not true: rather, she wondered if it might be better to “be content with the simple way” – where she would be his mistress, rather than his wife. But Edward swept aside her misgivings and persuaded her to start proceedings for divorce. In November 1936, when she had obtained her decree nisi, he announced his marriage plan to the prime minister, Stanley Baldwin. As sovereign, he was free to marry anyone he liked, except a Roman Catholic, under the Royal Marriages Act of 1772. But Baldwin said it was impossible: public opinion would not approve of a divorced woman becoming queen. Churchill, Lord Beaverbrook and Lord Rothermere came up with a solution – a morganatic marriage, by which Wallis would become Edward’s wife, but not his queen. It became known as the “Cornwall plan”, because Churchill suggested that Wallis could be styled the Duchess of Cornwall.

Until the start of December 1936, only the tiny world of Society, with a capital “S”, knew about Edward’s love for Wallis, because it had been kept out of the news. But on 2 December 1936, the story broke. The nation was stunned: the streets were packed and newspapers sold as fast as they were printed. “Papers full of harpy & the King”, wrote Mrs Baldwin in her diary.

The Establishment, led by Baldwin, the Church of England, the Tory press and the royal court, had expected the nation to oppose Edward’s plan for marriage. But to their horror, most people wanted to keep him as their king on any terms. He was immensely popular: like Princess Diana many years later, he had a star quality that was irresistible. But more than anything, he was appreciated for his concern for ordinary people, with whom he had served at the front in the years of war, and for his many visits to the poor. Many people also liked the idea that Wallis, like them, was not rich and privileged. “It is character that Counts here, & in the Great Beyond, not a Tytle” [sic], wrote a woman from South Wales to the king.

The country was divided, just as it was split in 1997 after the death of Diana. On the one side, there was the Establishment. On the other, there was the mass of ordinary people, as well as middle-class liberals and intellectuals, like George Bernard Shaw. “The People Want Their King” insisted a Daily Mail headline. Diners rose in restaurants to propose a toast to Edward and in the cinema, the National Anthem was heard with enthusiastic clapping and shouts of “We want the King”. The newsreels acknowledged there was a crisis, but presented it as a love story, not a scandal. In the Commons, MPs cheered when Churchill stood up to demand that no pressure be put on the king. Many people suspected that Baldwin wanted to get rid of Edward – that Wallis was “a godsend”, because she provided the perfect excuse to bounce him off the throne.

But over the weekend of 4–6 December, there was a proliferation of rumours through the nation, planting seeds of doubt. There was widespread speculation that Churchill was going to form a “King’s Party” and bring down the government. It was also rumoured that, in the words of Sir Horace Wilson, Baldwin’s advisor, Wallis was “selfish, self-seeking, hard, calculating, ambitious, scheming, dangerous”. Most damaging for Edward, a story was spread that Wallis was a friend of von Ribbentrop, the German ambassador, and was selling the nation’s secrets. These sorts of things, observed the publisher Francis Meynell, “were bound to be said but other incidents of which I heard made one view her with much suspicion on this point”.

A sympathetic portrait of Wallis Simpson in 'The Bystander', April 1937: she wrote in an October 1936 letter to Edward “I feel like an animal in a trap”, which is rather how she appears here. (Credit Illustrated London News)

But Wallis had met Ribbentrop only twice; the first occasion was a large luncheon, which was also attended by Churchill. Neither she nor Edward were part of any social circle frequented by Hitler’s ambassador. He was a favourite guest of Lord and Lady Londonderry and of the social hostess, Mrs Ronnie Greville, who admired Hitler and fascism. But Mrs Greville’s royal friends were Albert, the Duke of York, and his wife Elizabeth (the future George VI and Queen Elizabeth) – not Wallis and Edward.

On 3 December, the day after the story broke, Wallis had fled to the south of France to stay with friends. She was a resourceful woman: she had survived an abusive first marriage and had travelled extensively through Europe and Asia. But she had sensed a “mounting menace in the very atmosphere” and felt close to a nervous breakdown. Once away from England, she became aware that Edward, who had by now been told by Baldwin that a morganatic marriage was impossible, had decided to abdicate. She tried to stop him. On 7 December, she issued a statement to the press – that she was willing to renounce the king. Baldwin was unnerved: “Only time I was frightened. I thought [the king] might change his mind”. He quickly sent a telegram to the Dominion prime ministers, stating that he had “every reason for doubting bona fides of Mrs Simpson’s statement”.

Edward stood firm in his decision to go. On 10 December, knowing Baldwin was going to make an announcement to the House of Commons, Edward sent him a note, asking him to tell the House of Mrs Simpson’s efforts to prevent him from giving up the throne. Horace Wilson pinned a note of his own to the one Edward had sent: “I asked the PM whether he had any intention of mentioning Mrs Simpson (If he had, [I] was quite willing to draft appropriate passages!). The PM said he would make no reference”.

On 11 December, Edward gave his own speech to the nation, which Churchill had helped him to write. It had become impossible for him, he said, “to discharge my duties as King as I would wish to do without the help and support of the woman I love”. Wallis listened in France, lying on a sofa with her eyes closed. “Darling,” she wrote to him afterwards, “I want to see you touch you I want to run my own house I want to be married and to you”.

Edward VIII asked Baldwin to tell the House of Commons that Wallis tried to dissuade him from abdicating. The prime minister’s advisor noted (pictured below) that Baldwin had no intention of doing so. (Credit The National Archives)

(Credit The National Archives)

They were finally married on 3 June 1937, in France. But the new king, George VI, forbade any of Edward’s brothers or his sister from attending the wedding. Then he sent word that the title of HRH – Her Royal Highness – would not be extended to Wallis. She would be simply Duchess of Windsor. It was a wounding blow to Edward – and it meant that in the end, his marriage to Wallis was morganatic. “I hope you will never regret this sacrifice,” Wallis wrote to Edward, “and that your brother will prove to the world that we still have a position and that you will be given some jobs to do”.

But this was not to be. The couple made repeated requests for useful employment, but were turned down. It was feared in court circles that, as Horace Wilson told Neville Chamberlain in December 1936, Mrs Simpson intended “not only to come back here but… to set up a ‘Court’ of her own and – there can be little doubt – do her best to make things uncomfortable for the new occupant of the Throne. It must not be assumed that she has abandoned hope of becoming Queen of England”.

“I think you know,” wrote George VI in December 1938 to Chamberlain, now prime minister, “that neither the Queen [Elizabeth, later the Queen Mother] nor Queen Mary have any desire to meet the Duchess of Windsor”. Churchill observed sadly of the Duchess of Windsor, “No-one has been more victimised by gossip and scandal”.

The ugly rumours lingered on, even beyond Wallis’s death in 1986. In a sense, they became worse, because the Establishment’s perception of Wallis in 1936 prevailed, eclipsing the sympathetic view of ordinary people at the time. It is maintained that a China Dossier exists, listing sexual tricks learnt by Wallis in Shanghai, which she had used to ensnare the king – but nothing has been found in any archive. The allegation that she was a Nazi agent is still current, even though there is no reliable evidence in either the British or the German national archives.

In 2005, Prince Charles married Camilla Parker-Bowles, a divorcee, on the very morganatic basis denied to Edward: Camilla became Duchess of Cornwall and was styled HRH. If this solution could be achieved for Charles and Camilla, then why had it not been possible for Edward and Wallis? “I am profoundly grieved at what has happened,” wrote Churchill to Lloyd George on Christmas Day 1936. “I believe the Abdication to have been altogether premature and probably quite unnecessary.”

Susan Williams is a senior research fellow at the Institute of Commonwealth Studies, University of London, and author of The People's King: The True Story of the Abdication (Penguin Books, 2003).

Did the people want Wallis?
Andrew Roberts reviews The People's King by Susan Williams
12:01AM BST 24 Aug 2003

Back in January this year the Public Record Office released hundreds of files relating to the Abdication Crisis of 1936, and the historical advisor to this important event was the University of London historian Susan Williams. Having been there, I can attest to her diligence and scholarship on that occasion, and this book is based on the work she has done on that vast labyrinth of documentation.
The book's title - a quote from a letter to the King from a member of the public - was presumably chosen for its conscious reference to Diana, Princess of Wales, and indeed the similarities between Edward VIII and "the People's princess" are striking. Both were seen as unstuffy representatives of a new Zeitgeist, standing up for society's underdogs against a snobbish and hidebound Establishment.
Edward VIII's remark that "Something must be done" for the unemployed, made on a visit to South Wales in November 1936, was a precursor to the Princess of Wales's work for the dispossessed and marginalised. Yet there was always something disgraceful about the King - who had already made up his mind to abdicate when he made that radical and open-ended commitment - writing such a vast blank cheque that he secretly knew he was never going to have to be around to cash.
Just as after Diana's death huge numbers of people wrote to express their sympathy and support, so Edward VIII was deluged during the Abdication Crisis, and Susan Williams has trawled her way through thousands of the letters to extrapolate common themes. She suggests that ordinary people in Britain and the Empire were quite ready for Wallis Simpson to be Queen. Huge numbers of people, she argues, simply wanted the King to be happy.
The major media story back in January was the discovery that Special Branch believed that a car salesman called Guy Trundle was Mrs Simpson's secret lover. But Susan Williams does not accept that he necessarily was: "She found it difficult enough, as she told her aunt, to manage her marriage and the relationship with Edward, and was also caught up in a whirlwind of activities and social occasions which she found exhausting." Sex is something that people often seem to be able to make time for, however. I think the best argument against the relationship having taken place is that Mrs Simpson had an altogether greater catch in mind and wouldn't have wanted to take unnecessary risks.
It is a shame that the author did not use any of the information that was unearthed by our newspapers when Trundle's name became public earlier this year, including the testimony of his surviving friends and members of his family. They told us much about his background that would have strengthened her case.
Although Susan Williams's political feel for the Thirties is generally good, it occasionally utterly deserts her, as when she states that "Even without any backing from Germany and Italy, the King of Britain (sic) could have sought absolute rule, as a kind of benevolent despot." Does the author seriously imagine that the Household Division would have surrounded Parliament on Edward VIII's orders, with the Coldstream Guards clearing the Commons chamber of MPs?
Much of the "true story of the abdication" has already been told, principally in Michael Bloch's various works on the period, but it is good to have the newly released Cabinet minutes of the Crisis between hard covers, and much else besides. That this book is written from a point of view very sympathetic to the couple is no bad thing either, although the author did not change my view that the Empire was far better off three years later with George VI and Queen Elizabeth at Buckingham Palace than it would have been with King Edward and Queen Wallis.
One long-standing myth - that the Duke of Windsor was a quisling-in-waiting and friend of the Nazi foreign minister Joachim von Ribbentrop - is dealt a firm and welcome blow. As for the duchess, who was recently described in the Guardian as a lover of Ribbentrop's, she only met him twice, both times in large groups and once when Winston Churchill was present (and uncharacteristically silent.)
It is intriguing to think that, since the British state took 67 years to release the secret papers on the 1936 Abdication, some time in January 2064 journalists and historians might be crowding into the Public Record Office to read Special Branch and other reports on the events surrounding the Princess of Wales's death. I hope that when it happens there will be a historical advisor of the skill and sympathy of Susan Williams.
Andrew Roberts's 'Hitler and Churchill: Secrets of Leadership' is published by Weidenfeld & Nicolson.

Tuesday, 27 December 2016

Tonight Second Episode /The Witness for the Prosecution: Trailer - BBC One

Agatha Christie's The Witness for the Prosecution review – a world where any evil is possible
Kim Cattrall is tender and quietly desperate by turns in this expertly cast, perfectly crafted murder mystery.

Lucy Mangan
Tuesday 27 December 2016 07.10 GMT

It’s 1923. He’s a poor young man, she’s a wealthy widow in a Holland Park mansion. There’s a jealous housekeeper and a weighty candlestick in the drawing room. It’s Agatha Christie on Boxing Day.

I don’t think I’ve had a happier hour all Christmas than last night’s opening episode of The Witness for the Prosecution (BBC1). Perfectly crafted, expertly cast and beautifully scripted by Sarah Phelps, who gave us her brilliant adaptation of And Then There Were None last year, it was simply all you could want from your Boxing Day treat.

Sex and the City’s Kim Cattrall (to give her her full official title) is the wealthy widow, Emily French, who buys and discards young lovers under the watchful, appalled and fascinated eyes of her housekeeper Janet (Monica Dolan). It sounds like a retread of her Samantha role in SATC, but in fact she made French tender and quietly desperate by turns in a performance far more akin to her subtle, heartbreaking turn as Rudyard Kipling’s wife in My Boy Jack a few years ago. And may I say that her English accent survived the line: “After that debacle with plates and glasses, what will you do?” – which is quite the cruellest collection of words ever put into the mouth of anyone charged with reproducing postwar British vowels without being born to the purple – with an aplomb that I think deserves a special Bafta. See to it, please, could you?

The story, at least so far, is relatively simple. French is found bludgeoned to death in her home shortly after Leonard Vole (Billy Howle), her latest lover, whom she has made sole beneficiary of her will, is – according to Janet – seen leaving the house. Vole’s girlfriend Romaine Heilger (Andrea Riseborough, genuinely enigmatic, and genuinely shocking in her pivotal scene) says she can alibi him but when she finds out the extent of his infidelity, withdraws her testimony and is immediately, gleefully gathered to the bosom of the Crown to become a witness for the prosecution.

His lawyer, John Mayhew (Toby Jones, as delicate and nuanced as ever) remains convinced of Vole’s innocence. But is Janet or Romaine lying? Or both? Or, double-bluffingly, neither? Maybe Vole – who, in Phelps’ and Howle’s version, seems less of a chancer or con artist than a naive young man as hopelessly out of control of his destiny in French’s world as he was in the trenches of France where we first meet him – finally rebelled against life as a lapdog and killed her. All will be revealed, but it is a measure of the production’s quality that it almost doesn’t matter. The evocation of this shell-shocked, grief-stricken period of history is really the thing – in the hostility of her fellow chorus girls to the Austrian Romaine, to Howle’s reduction to “being priced like a piece of meat” instead of coming home to the hero’s welcome his savaged generation were promised, to Mayhew’s ruined lungs and his broken wife (Hayley Carmichael, mesmerising with barely a word spoken) sitting in their late son’s empty bedroom, there is an all-pervading sense of people moving reluctantly into and about in a world where any evil is now possible. No certainties any more, and no comfort anywhere.

I doubt there has ever been more brought by a cast, crew and writer to Agatha Christie. It is the most gorgeous gift to the viewer and this one at least looks forward with delighted anticipation and gratitude to unwrapping its second half next week.

Character descriptions

John Mayhew
Romaine Heilger
Leonard Vole
Janet McIntyre
Emily French
Alice Mayhew
Sir Charles Carter KC
Date: 12.12.2016 Last updated: 12.12.2016 at 14.54
Category: BBC One; Drama; Commissioning

John Mayhew
Played by Toby Jones

Burdened by poverty and guilt, John Mayhew lives a grey and passionless existence. Leonard’s case changes everything for this exhausted solicitor; his personal connection to the young man fires Mayhew with an unexpected determination to fight for him, to stop at nothing to prove Leonard's innocence…

Romaine Heilger
Played by Andrea Riseborough

A child of the First World War, Romaine Heilger emerges from the depths of the European bloodbath an ingenious survivor and afraid of nothing. At heart a loner, this Austrian singer’s enigmatic allure commands attention wherever she roams; Romaine is destined to enter the limelight sooner or later…

Leonard Vole
Played by Billy Howle

Haunted by his time at the front, Leonard Vole has been spat out of the war restless, disillusioned and incapable of settling on a job. A friendless innocent in a corrupt world, the odds stacked against him, Leonard is accused of a brutal murder and only one person can save him from the noose…

Janet McIntyre
Played by Monica Dolan

Devoted to the point of possessive, Emily French’s loyal housekeeper has an uncanny ability to pre-empt her mistress’s practical as well as emotional needs, suggesting a bond that surpasses a platonic master-servant relationship. However, Janet’s carefully controlled universe is challenged with the arrival of Leonard Vole…

Emily French
Played by Kim Cattrall

The staggeringly wealthy widow Emily French is beautiful, glamorous and bored. Used to getting exactly what she wants, she glides through the London highlife, indulging in champagne, raucous nightclubs and meaningless affairs with her favourite pastime: younger men.

Alice Mayhew
Played by Hayley Carmichael

Stifled by years of repressed emotion, Alice has as much verve and vigor as the grey meals she makes Mayhew for dinner. Haunted by the memory of her son who died at war, her few, precious moments of happiness are spent in his bedroom, left perfectly intact since the moment he left.

Sir Charles Carter KC
Played by David Haig

Whilst he enjoys a hearty lunch, this wealthy barrister salivates even more over the prospect of arguing sensational crime cases. He considers Leonard’s case to be a lost cause, until he finds out just how wealthy Leonard will be if he’s proved innocent.

The Witness for the Prosecution cast share their thoughts on Agatha Chri...

Toby Jones talks about his role in Agatha Christie's The Witness for the...

Kim Cattrall on being part of Agatha Christie’s The Witness for the Pros...

The Gentleman's Farm: Elegant Country House Living

The Gentleman's Farm: Elegant Country House Living
Written by Laurie Ossman and Debra A. McClane, Photographed by Walter Smalling

This sumptuous volume features gracious country homes that blend the very best of vernacular tradition, classical architecture, and high-style elegance. For four centuries, the ideal of the gentleman’s farm has inspired Virginians to create extraordinary homes on landscapes of unparalleled beauty. Often places of retreat, these houses display the virtues of the very best of American historic and classical architecture, incorporating harmonious proportion, elegant interiors, and thoughtful design in traditional styles. Each one in its way a model of taste and beauty, the houses of The Gentleman’s Farm are an expression of an American ideal of domestic happiness, the very picture of home, which has served to influence the style of residential building across the country. The houses featured, including a centuries-old home for a president as well as recently built residences, present a stylish, traditional aesthetic, hallmarks of which include warm, wood-paneled libraries, plaster walls hung with paintings of horse riding scenes, classical motifs, lovingly wrought architectural detail, screened porches, large windows that frame inspiring vistas of the country landscape—all those things that say home to the country and suburban gentleman and gentlewoman”

Laurie Ossman is director of museum affairs at the Preservation Society of Newport County, Newport, Rhode Island, author of Great Houses of the South, and coauthor of Carrère & Hastings: The Masterworks.

Debra A. McClane is an architectural historian and preservationist and the author of Botetourt County, Virginia, Revisited.

Walter Smalling is a widely published architectural photographer whose books include Uncommon Vernacular: The Early Houses of Jefferson County, West Virginia, 1735–1835.

Thursday, 22 December 2016

The Lisbon Connection encore / Diniz & Cruz

During my last visit in Lisbon, the city where I was born, I took the opportunity to visit Diniz & Cruz a top Factory and Creation Platform, which combines European Standards with Portuguese “gentillesse” and “savoir faire”.
They have important international  customers and they also create and produce for each season, their own collections very well balanced between tradition of craftmanship , technological development , great quality of materials and good taste with a dashing touch.
I was very well received with uncomparable Portuguese hospitality.
I had in the back of my mind the prototype / three piece green tweed suit, used in the making of the promotion film “The Lisbon Connection” …
After a very useful and  pleasant day chatting and visiting the important production line and seeing lots of beautiful men's cloths, I left.
Then, when i was already standing at the bus stop, I was really suprised with the unique, warm and “gentile “ Portuguese touch . They had found the unique suit and a car appeared to take me back to my desired piece.
To send them and you all a “Christmas card” with the best wishes for the New Year I asked Michael Floor to take some photographs of me wearing it, at Tommy Page Vintage Menswear, Amsterdam

Feliz Natal e Bom Ano Novo !

JEEVES / António Sérgio Rosa de Carvalho

Apresentação Diniz & Cruz

Tuesday, 20 December 2016

The Mini- Aristocrat / Wolseley Hornet and the Riley Elf. / VIDEO: 1969 Wolseley Hornet - Waimak Classic Cars - New Zealand

The Wolseley Hornet built at Longbridge was a revival of a previous name from the 1930’s Wolseley Hornet. This was applied to this special version of the Mini, in a similar manner to the Riley Elf, featuring a longer tail and enlarged boot, but with the appropriate Wolseley grille and better-equipped interior.
Initially the Wolseley Hornet had rubber-cone suspension along with the standard 848cc engine as with the mini, but with improved interior and more sound-deadening material than the standard Mini.
In 1963 the Mk II appeared with a larger 998cc engine increasing the power to 38 bhp, top speed to 77 mph and 0-60 in 24.1 seconds. Fuel consumption improved slightly to 35 mpg. Shortly after the Mk II launched Hydrolastic suspension was introduced in 1964.
The Mk III appeared in 1966, a notable change being the sliding windows upgraded to wind-up windows, and face level ventilation added to the fascia.
1969 saw the end of the long-tail derivative of the Mini for both the Wolseley Hornet and the Riley Elf.